{"id":207,"date":"2024-11-10T02:10:16","date_gmt":"2024-11-10T02:10:16","guid":{"rendered":"http:\/\/laximenavelasquez.com\/mundos-e-imaginarios-en-torno-a-lo-femenino\/tempo-saudoso\/"},"modified":"2024-12-03T15:44:10","modified_gmt":"2024-12-03T15:44:10","slug":"tempo-saudoso","status":"publish","type":"page","link":"http:\/\/laximenavelasquez.com\/en\/mundos-e-imaginarios-en-torno-a-lo-femenino\/tempo-saudoso\/","title":{"rendered":"Tempo saudoso"},"content":{"rendered":"
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Tempo Saudoso<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Video projection installation and magic lantern with still image.<\/strong>
Variable dimensions, 3 x 3 meters approx.<\/strong>
Video duration: 00:07:45<\/strong>
2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\tTempo Saudoso<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\tfrom ximena velasquez<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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The work seeks to explore the use of the word\u202fsaudade\u202fin Portuguese poetry, associating the term The work seeks to explore the use of the word\u202fsaudade\u202fin Portuguese poetry, associating the term with a condition of expectation and longing that suggests the contradictory moods of both joy and sorrow. The Portuguese concept of saudade,\u202fwhich has no exact equivalent in other languages, is particularly associated with the sea, and with the constant and fixed gaze of women who watch the horizon in anticipation of the return of their beloved. This gaze captures the ambiguity of the feeling that is embodied by\u202fsaudade.<\/span><\/p>

The Time of Saudade is an attempt at recreating the everyday. In this project, I seek to place the condition of waiting in tension with memory, with a reference to Penelope, she who wove and unwove to pass the time and who was ultimately unable to recognize that which she had awaited for so long. I also want through this project to bring poetry and the concept of contemplation typical of Romantic landscape painters into dialogue, seeking to construct a critical gaze towards this emotional state as well as the expectation and submission implicit in it.<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Acknowledgements: Anabela de Acevedo Texeira Sobrino, female character, Gon\u00e7alo Beja da Costa, camera assistant. C\u00e9lio Silva, Paulo Martins, Bruno Mota, production assistants.<\/span><\/p>\n

Project realized during the artistic residency in Vila Nova de Cerveira Portugal 2017, with the International Circulation Grant Ministry of Culture 2017 and the International Circulation Grant IDARTES 2017. Video selected in <\/span>FILMARE DARIEN community film festival, San Francisco Acand\u00ed, Choc\u00f3, Colombia 2018.<\/span> <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Tempo Saudoso Instalaci\u00f3n video proyecci\u00f3n y linterna m\u00e1gica con imagen fija.Dimensiones variables, 3 x 3 metros aprox.Video duraci\u00f3n: 00:07:452017 https:\/\/vimeo.com\/263535668 La obra tiene como punto de partida la exploraci\u00f3n de la palabra Saudade desde la poes\u00eda portuguesa, asociando este particular t\u00e9rmino a una condici\u00f3n de espera, de a\u00f1oranza, de alegr\u00edas y tristezas. La Saudade portuguesa […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":206,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-207","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/comments?post=207"}],"version-history":[{"count":9,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/207\/revisions"}],"predecessor-version":[{"id":846,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/207\/revisions\/846"}],"up":[{"embeddable":true,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/206"}],"wp:attachment":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/media?parent=207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}