{"id":223,"date":"2024-11-10T02:11:14","date_gmt":"2024-11-10T02:11:14","guid":{"rendered":"http:\/\/laximenavelasquez.com\/cv\/"},"modified":"2024-12-17T03:13:57","modified_gmt":"2024-12-17T03:13:57","slug":"cv","status":"publish","type":"page","link":"http:\/\/laximenavelasquez.com\/en\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"
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CV<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ximena Vel\u00e1squez S\u00e1nchez<\/div>\n
Cumbitara - Colombia<\/em><\/div>\n
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As a visual artist and researcher, my interests are focused on the images that are formed at the limits or borders between different media. I am interested in photochemical crossings with digital languages and how the image transforms its discourse from its own materiality. My recurring themes deal with the feminine world and the form of landscape as an experience. I have been working on these themes from different critical and aesthetic positions, through installation proposals involving video, photography and objects.<\/div>\n
I am a founding member of the collective Patasola (Juan Alonso and Yomayra Puentes Rivera), which since 2015, we have been making the video art festival Videograma, which has three versions and has been presented in different cities of Colombia, and in other festivals such as OVER THE REAL, 2023 and METACINEMA, 2020 in Italy.<\/div>\n
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CvLAC: Link<\/a><\/div>\n
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STUDIES<\/div>\n
<\/div>\n
PhD in Visual Arts, Universidade Estadual de Campinas (UNICAMP), Campinas, Brazil. August 2018 - March 2023<\/div>\n
Master in Visual Arts, Universidad Nacional de Colombia, Bogot\u00e1. August 2006 - September 2008<\/div>\n
Specialization in History and Theory of Modern and Contemporary Art, Universidad de los Andes. Bogot\u00e1, Colombia. February 2006 - May 2007<\/div>\n
Bachelor's in Fine Arts, Universidad Jorge Tadeo Lozano. Bogota, Colombia July 1998 - February 2002.<\/div>\n
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MENTIONS AND AWARDS<\/div>\n
<\/div>\n
2023 Creation grant for the III version of the International Video Art Festival Videograma - Centro de Investigaci\u00f3n y Creaci\u00f3n CIC Facultad de Artes y Humanidades - Call for professors of C\u00e1tedra 2023, awarded to Juan Alonso, representing the Patasola collective.<\/div>\n
2021 Creation grant for artists with trajectory, Ministry of Culture Colombia<\/div>\n
2021 Programming grant in visual arts RED GALER\u00cdA SANTA FE. Estamos Patasola Collective, project Videograma International Video Art Festival, 2nd edition.<\/div>\n
2017 International Circulation Grant Ministry of Culture. Colombia<\/div>\n
2017 International Circulation Grant, IDARTES, Colombia.<\/div>\n
2012 Work Grant, IDARTES Institute of Arts, for the project for individual exhibition Espacio Art Nexus, Colombia.<\/div>\n
2010 Work Grant, Fundaci\u00f3n Gilberto Alzate Avenda\u00f1o. Colectivo Estamos en Obra, Sala Alterna, Galer\u00eda Santa Fe, project El Viejo Mundo.<\/div>\n
2010 \u201cMiradas sobre el paisaje\u201d (Views on the Landscape), selected project for one of the Research-Creation Laboratories for Boyac\u00e1, by the Ministry of Culture. Ximena Vel\u00e1squez \/ Alexandra McCormick. Exhibitions held in Tunja and Villa de Leyva.<\/div>\n
2003 Dollar Grant awarded by Colectivo Nadie Opina for the project Made in Boston, Bogot\u00e1 \u2013 Colombia. Ximena Vel\u00e1squez \/ Alexandra McCormick.<\/div>\n
2003 II Award, XI National Painting Contest, Banco Ganadero.<\/div>\n
2001 First Award, Local Young Artists Contest, Candelaria District, Instituto Distrital de Cultura y Turismo.<\/div>\n
2000 Scholarship for academic excellence. Jorge Tadeo Lozano University.<\/div>\n
1999 II Award, Photography Contest \u2013 Contemporary Dance, Universidad Jorge Tadeo Lozano.<\/div>\n
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Artistic Residencies<\/div>\n
<\/div>\n
Cerveira Biennial Foundation - Portugal<\/em>October 2017 residency, Tempo Saudoso project.<\/div>\n
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ACADEMIC EXPERIENCE<\/div>\n
<\/div>\n
2022. Virtual exhibition of the works Las tres Vigilias and De natureza informe, in VII seminario de pesquisa em artes, Cultura e Linguagens da UFJ, Brazil.<\/div>\n
2019. Speaker at the X International Congress on the image, in Manchester, Metropolitan University, with the paper \"The attraction of the non-visible and the distant\".<\/div>\n
2019. Speaker at a seminar on Visual Culture at the Interamerican University of Puerto Rico, with the paper: Vicissitudes of the family album.<\/div>\n
2016.\u00a0Speaker at the International Seminar on Interdisciplinarity in the Arts, Universidad del Quind\u00edo.<\/span>\u00a0with the paper: Experiment with a bird in an air pump.<\/span><\/div>\n<\/div>\n
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PUBLICATIONS<\/div>\n
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Article: Cuadernos de M\u00fasica, Artes Visuales y Artes Esc\u00e9nicas (MAVAE). Volume.19 Number. 1 \"Actions and reactions of current art in the face of racialization and racism\" January-June 2024, Article: \"Picturesque and anthropometric photography: an instrument of colonial domination and expansion in the Brazilian context and its decolonization through the work of Rosana Paulino\".<\/div>\n
Doi 10.11144\/javeriana.mavae19-1.farp. Available online: January 1, 2024.\nhttps:\/\/revistas.javeriana.edu.co\/index.php\/cma\/article\/view\/38320<\/a><\/div>\n
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Book: Border Stories, Videogram - International Art Festival 2023. Editors: Colectivo Patasola Juan Carlos Alonso Rico, Ximena Vel\u00e1squez S\u00e1nchez, Yomayra Puentes-Rivera. Authors: Enrico Mandirola, Adriana Garc\u00eda Gal\u00e1n, Juan Camilo Gonz\u00e1lez. ISBN: 978-628-01-5354-4<\/div>\n
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Book: ARTIFICIAL LANDSCAPES, Videogram - International Art Festival 2021. Editors: Colectivo Patasola Juan Carlos Alonso Rico, Ximena Vel\u00e1squez S\u00e1nchez, Yomayra Puentes-Rivera. Authors: Mauricio Duran, Claudia Salamanca, Cecilia Traslavi\u00f1a, Diego Pie\u00f1eros Garc\u00eda, Adriana Rojas Espitia. ISBN: 978-958-49-4694-2\nhttps:\/\/www.videogramafestival.com\/bookinenglish<\/a><\/div>\n
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Article: Word, thought and work. Indexed journal Faculty of Arts, Universidad Pedag\u00f3gica Nacional. Article: \"El nacimiento del Dios Salvaje\" Date of publication: August 15, 2013.\nDOI: https:\/\/doi.org\/10.17227\/2011804X.9PPO6.13<\/a>\nhttp:\/\/revistas.pedagogica.edu.co\/index.php\/revistafba\/article\/view\/1933<\/a><\/div>\n
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Book: Views on the Landscape. Book of postcards. Edited by Colectivo Estamos en Obra, Bogot\u00e1 2010. Result of the Creation Research Laboratory, funded by the Ministry of Culture held in Tunja, Duitama and Villa de Leyva.<\/div>\n
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SOLO EXHIBITIONS<\/div>\n
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2012 Landscape is not what we see, it is what we feel. Art Nexus Space. Winner project of the IDARTES job fair.<\/div>\n
2011 Landscape is not what we see, it is what we feel. Project Room Universidad de los Andes Bogot\u00e1 - Colombia<\/em>. March 22, 2011<\/div>\n
2011 The Old World. Sala Alterna - Santa Fe Gallery. Winner project of the 2010 call.<\/div>\n
2005 Contrav\u00eda. Universidad de los Andes Exhibition Hall. Project Room. Estamos en Obra Collective.<\/div>\n
2002 Camera obscura. Alley of exhibitions, Jorge Eli\u00e9cer Gait\u00e1n Theater, Gas Natural. Bogot\u00e1.<\/div>\n
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COLLECTIVE EXHIBITIONS<\/div>\n
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2023. On Americanity & Other Experiences of Belonging. Curated by Analys \u00c1lvarez Hern\u00e1ndez and Colette Lalibert\u00e9. Onsite Gallery - Toronto, Canada.<\/div>\n
2022. Encounters: yearnings of observation and listening. Gilberto Alzate Avenda\u00f1o Foundation. Work: Agua fuerte. Bogota, Colombia<\/div>\n
2022. Sixth version of the Manizales International Art Festival, September 19 to 23. Work: Meditaciones.<\/div>\n
2022. Exposi\u00e7\u00e3o dos alunos do programa de P\u00f3s - Gradua\u00e7\u00e3o<\/em>. GAIA, Unicamp, Brazil, 2022. Work: Tr\u00eas irm\u00e3os.<\/div>\n
2021. SLAM - Latin American Symposium of Media Art. Work: Meditations.<\/div>\n
2021. XIX version of the International Exhibition of pinhole photography An image for culture, Bogota Colombia.<\/div>\n
2021. Virtual exhibition of works in VII seminario de pesquisa em artes, Cultura e Linguagens da UFJ, Brasil.<\/div>\n
2021. XIX version of the International Pinhole Photography Exhibition Una imagen por la cultua, Bogota.<\/div>\n
2019. Disassemblies (devices as pests). Curated by Erika Mart\u00ednez. ARTBO\/SALAS, Bogot\u00e1 June 28.<\/div>\n
2018. Prismas Leil\u00e3o de Parede. SUBSOLO Art Laboratory. Campinas, Brazil.<\/div>\n
2018. VIII Biennial of teachers. Department of Arts Pontificia Universidad Javeriana. Bogota Exhibition Hall Gerardo Arango Building. Amber Project with Camilo Sabogal.<\/div>\n
2018. ASONANTES, Meditations, Patasola Collective (Juan Carlos Alonso and Ximena Vel\u00e1squez) Casa Bolivar, Bogot\u00e1 - Colombia<\/em>.<\/div>\n
2018. FILMARE DARIEN community film festival, San Francisco Acand\u00ed, Choc\u00f3 - Colombia<\/em>.<\/div>\n
2017. XIX International Art Biennial of Cerveira. July 15 - September 16. Obra Saudade, Villa Nova de Cerveira - Spain.<\/div>\n
2017. FIAC, International Art Festival of Manizales, Colombia.<\/div>\n
2017. Cannon shots of piracy. Centro Colombo Americano and Department of Arts Universidad de los Andes. Bogot\u00e1.<\/div>\n
2016. Lumens, Meeting of alternative chemical photography. Neebex Gallery, Bogota - Colombia<\/em><\/div>\n
2016. Biennial of professors Department of Arts Pontificia Universidad Javeriana. Bogot\u00e1.<\/div>\n
2015. Sal\u00f3n de Arte Joven, FUGA 2015.<\/div>\n
2015. Flashes From Colombia. Contemporary Artists from Colombia. Imago Mundi. Luciano Benetton Collection. Venice - Italy.<\/div>\n
2015. M\u00e9todos y pr\u00e1cticas del Performance Vol 1, Neebex Gallery. Bogota, Col<\/div>\n
2014. Regional Image 8, Banco de la Rep\u00fablica, Cloister of San Agust\u00edn, Tunja.<\/div>\n
2013. VI Biennial of professors of the Department of Arts. Javeriana University. -LIA Space (Interdisciplinary Laboratory for the Arts). April 2013. Bogot\u00e1 Colombia.<\/div>\n
2013. Entwine. Valenzuela Klenner Gallery. Bogota Colombia. June 2013.<\/div>\n
2012. ARTBO International Art Fair of Bogota - Art Chamber Pavilion.<\/div>\n
2012. Chic Format 3. M\u00e1s Arte Contempor\u00e1neo Gallery.<\/div>\n
2012 International Day of Pinhole Photography Exhibition. Leopoldo Carpinteyro Gallery. Monterrey Nuevo Leon, Mexico.<\/div>\n
2012 International pinhole photography exhibition - Pinhole photography project \"El Huequito\". Tzikbal Cultural Center. Mexico City.<\/div>\n
2012 Iberoamerican. 3rd Edition, Iberoamerican photography contest. Cultural Center of Spain. La Paz -Bolivia.<\/div>\n
2011 17th International Contemporary Art Festival SESC_Videobrasil. Sao Paulo, Brazil.<\/div>\n
2011 Catalejo. First exhibition of graduates Jorge Tadeo Lozano University. UJTL Art Museum. Bogot\u00e1, Colombia.<\/div>\n
2010 Chik Format. Cero Gallery - Bogota, Colombia.<\/div>\n
2010 First meeting of Portable Art. Ephemeral exhibition - Billares Londres, Bogot\u00e1 Col.<\/div>\n
2009 Portable Series. Corferias Museum. Expociencia Expot\u00e9cnologia 09 ACAC. Bogota, Colombia.<\/div>\n
2008 1st Colsanitas Youth Art Contest. University of Salamanca Cultural Center. Bogota, Colombia.<\/div>\n
2008 Certain Things, Certain Things. Repertoire of Manias. LADO B Art Consultants. Bogot\u00e1, Colombia.<\/div>\n
2008 Uniandino Award for the Arts. Espacio Alterno Gallery, Uniandinos headquarters. Bogot\u00e1, Colombia.<\/div>\n
2008 And how does love go? Santa Fe Gallery. Bogota, Colombia.<\/div>\n
2006 New Names, Place not Place. Luis Angel Arango Library. Bogot\u00e1, Colombia.<\/div>\n
2006 Urban Trajectories. Gilberto Alzate Avenda\u00f1o Foundation. Bogot\u00e1, Colombia.<\/div>\n
2004 Cityexposiciones. Bogot\u00e1, Colombia.<\/div>\n
2003 XI National Salon of Young Artists - Santa Fe Gallery. Bogota, Colombia.<\/div>\n
2003 Casos de Casa - FENALCO Gallery. Bogota, Colombia.<\/div>\n
2003 X Regional Salon of Young Artists - Zona 7 - Bucaramanga, Colombia.<\/div>\n
2003 XI National Painting Contest Banco Ganadero. Virgilio Barco Library, Bogota, Colombia.<\/div>\n
2001 Medidas Naturales, Contemporary outdoor art. Botanical Garden of Bogota, Colombia.<\/div>\n
2001 Transgressions. Jorge Tadeo Lozano University Bogot\u00e1, Colombia.<\/div>\n
2001 IV Local Salons of Plastic Arts - IDCT Bogot\u00e1, Colombia.<\/div>\n
2001 1st National Encounter of Young Art - University of Caldas. Manizales, Colombia.<\/div>\n
2000 II Biennial, Colombian Photography Salon - Medellin, Colombia.<\/div>\n
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ARTISTIC PROJECTS<\/div>\n
<\/div>\n
2015 to date Member of Colectivo Patasola, creators of VIDEOGRAMA, International Festival of videarte.<\/div>\n
2006. LA PROCESI\u00d3N VA POR DENTRO Dir. Jos\u00e9 Domingo Garz\u00f3n: Grupo pir\u00e1mide. NATIONAL PRIZE OF CREATION. Curatorship and staging Colombia 2004, Guadalajara - Mexico 2006, Dominican Republic 2006.<\/div>\n
2004. CONTRAV\u00cdA, project realized between Lima, Peru, Buenos Aires, Argentina, Santiago de Chile and Arica in Chile: August 2004. With the collective Estamos en Obra.<\/div>\n
2003. ENTRADA LIBRE Collective (Juan Carlos Ocampo, Alexandra McCormick, Adriana Salazar, Laura Duque and Ximena Vel\u00e1squez) Convened and organized the 1st International Local Art Salon. Virgilio Barco Library. Bogota - Colombia.<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Ximena Vel\u00e1squez S\u00e1nchez Cumbitara \u2013 Colombia Como artista pl\u00e1stica e investigadora, mis intereses est\u00e1n centrados en las im\u00e1genes que se forman en los l\u00edmites o en las fronteras entre los diferentes medios. Me interesan los cruces fotoqu\u00edmicos con los lenguajes digitales y c\u00f3mo la imagen transforma su discurso desde su propia materialidad. Mis temas recurrentes […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-223","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":15,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/223\/revisions"}],"predecessor-version":[{"id":967,"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/223\/revisions\/967"}],"wp:attachment":[{"href":"http:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/media?parent=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}