This work proposes a reflection on the archival image and the effect of memory, which allows for the reception of other images outside the family album. When I began to reflect on the deterioration of the images in the family album, the idea that these images had become "sick" was always present. I associated her ailment with my mother's schizophrenia, since both conditions have the capacity to alter and reinscribe realities: transform them, hide them or even erase them. 

Trap for Ghosts II, in a way, questions the certainty that some images offer us about specific facts, but it also reflects on the ghostly images that reappear insistently, with changing appearances.