{"id":372,"date":"2024-11-18T22:28:33","date_gmt":"2024-11-18T22:28:33","guid":{"rendered":"http:\/\/laximenavelasquez.com\/lo-que-no-alcanza-a-ser-llovizna\/lo-que-no-alcanza-a-ser-llovizna\/"},"modified":"2024-12-03T14:49:40","modified_gmt":"2024-12-03T14:49:40","slug":"lo-que-no-alcanza-a-ser-llovizna","status":"publish","type":"page","link":"https:\/\/laximenavelasquez.com\/en\/lo-que-no-alcanza-a-ser-llovizna\/lo-que-no-alcanza-a-ser-llovizna\/","title":{"rendered":"What Falls Short of Drizzle..."},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"372\" class=\"elementor elementor-372\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6b40183 e-flex e-con-boxed e-con e-parent\" data-id=\"6b40183\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-fb94bcd elementor-widget elementor-widget-heading\" data-id=\"fb94bcd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">What Falls Short of Drizzle...<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-65f2cd5 elementor-widget elementor-widget-text-editor\" data-id=\"65f2cd5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Installation that brings together 8 works with different media and resources. <br \/>Slide projectors, homemade opaque projectors, animation, copper plates and photoengraving.\u00a0<br \/><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\" data-contrast=\"auto\">Variable dimensions<\/span><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\" data-ccp-props=\"{}\">\u00a0<br \/><\/span><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\" data-contrast=\"auto\">2022<\/span><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\" data-ccp-props=\"{}\">\u00a0<\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e121688 xm-justificada xm-jg-h309 xm-jg-m5 xm-jg-nojustify elementor-widget elementor-widget-image-gallery\" data-id=\"e121688\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-372 gallery-columns-3 gallery-size-medium_large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"e121688\" data-elementor-lightbox-title=\"Montaje general de Lo que no alcanza a ser llovizna (2022)\" data-elementor-lightbox-description=\"Montaje general de Lo que no alcanza a ser llovizna (2022): sala oscura con proyectores, rostros proyectados y mesa. Imagen de la p\u00e1gina de la obra \u00abLo que no alcanza a ser llovizna\u00bb, de Ximena Vel\u00e1squez S\u00e1nchez, en la secci\u00f3n \u00abLo que no alcanza a ser llovizna\u00bb.\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTAwLCJ1cmwiOiJodHRwczpcL1wvbGF4aW1lbmF2ZWxhc3F1ZXouY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI0XC8xMlwvTG8tcXVlLW5vLWFsY2FuemEtYS1zZXItbGxvdml6bmEtbW9udGFqZS1nZW5lcmFsLTIyLTEtc2NhbGVkLmpwZyIsInNsaWRlc2hvdyI6ImUxMjE2ODgifQ%3D%3D\" href='https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-scaled.jpg'><img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"461\" src=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-768x461.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Overview of What Falls Short of Drizzle... (2022): dark room with projectors, projected faces and a table with a lamp\" srcset=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-768x461.jpg 768w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-300x180.jpg 300w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-1024x614.jpg 1024w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-1536x921.jpg 1536w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-2048x1228.jpg 2048w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-18x12.jpg 18w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"e121688\" data-elementor-lightbox-title=\"Montaje de Lo que no alcanza a ser llovizna (2022)\" data-elementor-lightbox-description=\"Montaje de Lo que no alcanza a ser llovizna (2022): pantalla transl\u00facida con proyecci\u00f3n, televisor, marcos y proyector. Imagen de la p\u00e1gina de la obra \u00abLo que no alcanza a ser llovizna\u00bb, de Ximena Vel\u00e1squez S\u00e1nchez, en la secci\u00f3n \u00abLo que no alcanza a ser llovizna\u00bb.\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDc2LCJ1cmwiOiJodHRwczpcL1wvbGF4aW1lbmF2ZWxhc3F1ZXouY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI0XC8xMlwvTG8tcXVlLW5vLWFsY2FuemEtTW9udGFqZS0yLXNjYWxlZC5qcGciLCJzbGlkZXNob3ciOiJlMTIxNjg4In0%3D\" href='https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-scaled.jpg'><img decoding=\"async\" width=\"768\" height=\"421\" src=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-768x421.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Installation view of What Falls Short of Drizzle... (2022): translucent screen with projection, TV, wall frames, projector\" srcset=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-768x421.jpg 768w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-300x164.jpg 300w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-1024x561.jpg 1024w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-1536x842.jpg 1536w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-2048x1123.jpg 2048w, https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-Montaje-2-18x10.jpg 18w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c6b57e3 elementor-widget-mobile__width-inherit elementor-widget elementor-widget-video\" data-id=\"c6b57e3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;,&quot;lazy_load&quot;:&quot;yes&quot;,&quot;show_image_overlay&quot;:&quot;yes&quot;,&quot;image_overlay&quot;:{&quot;url&quot;:&quot;https:\\\/\\\/laximenavelasquez.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/vimeo-portada-1030075656.jpg&quot;,&quot;id&quot;:6270,&quot;size&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;source&quot;:&quot;library&quot;}}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen allow=\"clipboard-write\" title=\"vimeo Video Player\" data-lazy-load=\"https:\/\/player.vimeo.com\/video\/1030075656?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=0&amp;byline=1#t=\"><\/iframe>\t\t\t\t<div class=\"elementor-custom-embed-image-overlay\" style=\"background-image: url(https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2026\/10\/vimeo-portada-1030075656.jpg);\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-custom-embed-play\" role=\"button\" aria-label=\"Play Video\" tabindex=\"0\">\n\t\t\t\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-play-circle\" viewbox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M256 8C119 8 8 119 8 256s111 248 248 248 248-111 248-248S393 8 256 8zm115.7 272l-176 101c-15.8 8.8-35.7-2.5-35.7-21V152c0-18.4 19.8-29.8 35.7-21l176 107c16.4 9.2 16.4 32.9 0 42z\"><\/path><\/svg>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7c9683d elementor-widget elementor-widget-text-editor\" data-id=\"7c9683d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i><span data-contrast=\"auto\">What Falls Short of Drizzle...<\/span><\/i><span data-contrast=\"auto\">is an art installation that brings together a series of plastic explorations around a series of archival photographs from the family album, those that survived and those that perished in the humid environment. This is the origin of the name of the installation and of a specific work made with bronze plates. In the process of creation there is a particular interest in intertwining emotional discourses and historical aspects of chemical photography, related to the appearance and disappearance of the image, while at the same time exploring technological devices in disuse, either by manufacturing them or adapting certain mechanisms and devices.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p><p><span class=\"TextRun SCXW1390759 BCX8\" lang=\"ES-ES\" style=\"font-size: 14px;\" xml:lang=\"ES-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW1390759 BCX8\">Ghost Trap I, Illusion of Motion and Recorded Images, were selected in the 3rd edition of Cali. <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1390759 BCX8\">FotoFest<\/span><span class=\"NormalTextRun SCXW1390759 BCX8\">, 2022.\u00a0<\/span><\/span><span class=\"EOP SCXW1390759 BCX8\" data-ccp-props=\"{}\">\u00a0<\/span><\/p><p>Check in the following <strong><a style=\"color: #000000; font-size: 18px;\" href=\"https:\/\/califotofest.com\/wp-content\/uploads\/2023\/03\/CATALOGO_CALI-FOTO-FEST_2022_EDICION-3.pdf\">link<\/a><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e52744b e-flex e-con-boxed e-con e-parent\" data-id=\"e52744b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a0fb60f elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"a0fb60f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6ad4194 elementor-widget elementor-widget-heading\" data-id=\"6ad4194\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">What Falls Short of Drizzle... <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a1253a5 elementor-widget elementor-widget-text-editor\" data-id=\"a1253a5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Strong Water Series, Drawings on bronze plates.\u00a0<br \/>Variable dimensions, each plate measures 9 x 12 cm. Linear space 1 meter approx.\u00a0<br \/>2021\/22\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-66ef272 elementor-widget elementor-widget-gallery\" data-id=\"66ef272\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;gallery_layout&quot;:&quot;masonry&quot;,&quot;columns&quot;:2,&quot;columns_tablet&quot;:3,&quot;columns_mobile&quot;:2,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;link_to&quot;:&quot;file&quot;,&quot;lazyload&quot;:&quot;yes&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-placa-2.png\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"66ef272\" data-elementor-lightbox-title=\"Lo que no alcanza a ser llovizna (2021-22), aguafuerte: placa de metal con el dibujo de una mujer de trenzas\" data-elementor-lightbox-description=\"Lo que no alcanza a ser llovizna (2021-22), aguafuerte: placa de metal con el dibujo de una mujer de trenzas, descalza. Imagen de la p\u00e1gina de la obra \u00abLo que no alcanza a ser llovizna\u00bb, de Ximena Vel\u00e1squez S\u00e1nchez, en la secci\u00f3n \u00abLo que no alcanza a ser llovizna\u00bb.\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDg3LCJ1cmwiOiJodHRwczpcL1wvbGF4aW1lbmF2ZWxhc3F1ZXouY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI0XC8xMlwvTG8tcXVlLW5vLWFsY2FuemEtcGxhY2EtMi5wbmciLCJzbGlkZXNob3ciOiI2NmVmMjcyIn0%3D\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-placa-2.png\" data-width=\"654\" data-height=\"769\" aria-label=\"What Falls Short of Drizzle... (2021-22), etching: metal plate with a drawing of a barefoot woman with braids\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que.-no-alcanza-placa-1.png\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"66ef272\" data-elementor-lightbox-title=\"Lo que no alcanza a ser llovizna (2021-22), aguafuerte: placa de metal con el dibujo de un retrato familiar de\" data-elementor-lightbox-description=\"Lo que no alcanza a ser llovizna (2021-22), aguafuerte: placa de metal con el dibujo de un retrato familiar de tres personas. Imagen de la p\u00e1gina de la obra \u00abLo que no alcanza a ser llovizna\u00bb, de Ximena Vel\u00e1squez S\u00e1nchez, en la secci\u00f3n \u00abLo que no alcanza a ser llovizna\u00bb.\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDczLCJ1cmwiOiJodHRwczpcL1wvbGF4aW1lbmF2ZWxhc3F1ZXouY29tXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI0XC8xMlwvTG8tcXVlLi1uby1hbGNhbnphLXBsYWNhLTEucG5nIiwic2xpZGVzaG93IjoiNjZlZjI3MiJ9\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que.-no-alcanza-placa-1-768x545.png\" data-width=\"768\" data-height=\"545\" aria-label=\"What Falls Short of Drizzle... (2021-22), etching: metal plate with a drawing of a three-person family portrait\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b60b44f elementor-widget elementor-widget-text-editor\" data-id=\"b60b44f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-contrast=\"auto\">This is a series that appropriates the photographic image through the etching and aquatint techniques of metal engraving. It is composed, so far, of seven copper plates, whose sizes coincide with the original photographs, which establishes a direct link with the family archive.<\/span><\/p><p><span data-contrast=\"auto\">The material used, bronze, has an intense golden hue that gives it a warm appearance. The surface of the metal varies in its appearance, depending on the type of intervention: sometimes it appears opaque, while in others, the polished surface acts as a mirror, creating a visual interference by reflecting the observer or the environment. This work, thanks to the technique used, allowed me to rethink the forms of memory, as the drawing, under the action of acid, <\/span><span data-contrast=\"auto\">is transformed into a print that can, if desired, reproduce other prints on paper.<\/span><span data-contrast=\"auto\"> However, it is also possible to conceive these traces as cracks or fissures, through which fragments of thought escape. In the same way, one could think of the wound, which in its essence, is also capable of replicating itself.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Installation that brings together 8 works with different media and resources. Slide projectors, homemade opaque projectors, animation, copper plates and photoengravings.<br \/>\nVariable dimensions<br \/>\n2022 <\/p>","protected":false},"author":1,"featured_media":0,"parent":371,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"slim_seo":{"description":"Lo que no alcanza a ser llovizna\u2026 (2022): installation of 8 works on a family album damaged by humidity; part of it was chosen for Cali FotoFest.","facebook_image":"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-scaled.jpg","twitter_image":"https:\/\/laximenavelasquez.com\/wp-content\/uploads\/2024\/12\/Lo-que-no-alcanza-a-ser-llovizna-montaje-general-22-1-scaled.jpg","title":"Lo que no alcanza a ser llovizna\u2026 - Ximena Vel\u00e1squez S\u00e1nchez"},"footnotes":""},"class_list":["post-372","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/comments?post=372"}],"version-history":[{"count":18,"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/372\/revisions"}],"predecessor-version":[{"id":764,"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/372\/revisions\/764"}],"up":[{"embeddable":true,"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/pages\/371"}],"wp:attachment":[{"href":"https:\/\/laximenavelasquez.com\/en\/wp-json\/wp\/v2\/media?parent=372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}